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X-WR-CALDESC:Events for 67. Jazz festival Ljubljana
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DTSTART;TZID=UTC:20260629T200000
DTEND;TZID=UTC:20270808T233000
DTSTAMP:20260524T013311
CREATED:20260512T080049Z
LAST-MODIFIED:20260512T083608Z
UID:5740-1782763200-1817767800@ljubljanajazz.si
SUMMARY:Miles Davis 100! Elevator to the Gallows
DESCRIPTION:[vc_row][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778574057737{padding-bottom: 2rem !important;}”] \nMiles Davis 100! Elevator to the Gallows\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”5738″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778574238714{margin-top: 40px !important;padding-top: 10px !important;padding-bottom: 10px !important;background-color: #FFFFFF !important;}”]Monday\, 29 June at 20.00 – Kosovel Hall\nEUR 6\, 5*\n* EUR for younger than 25 and older than 65\, as well as pensioners.\n[/vc_column_text][vc_column_text css=”.vc_custom_1778574262730{margin-bottom: 30px !important;}”]BUY TICKET HERE[/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778574449308{margin-bottom: 20px !important;}”]France\, 1958\, 88′\nDirected by: Louis Malle\nWritten by: Roger Nimier\, Louis Malle\, based on the novel by Noël Calef\nCinematography: Henri Decaë \nMusic: Miles Davis \nCast: Jeanne Moreau\, Maurice Ronet\, Lino Ventura\, Yori Bertin\, Florence Carala \nProduction: Nouvelles Éditions de Films \nJulien and Florence devise an elaborate plan to murder her husband\, who also happens to be Julien’s boss. They choose Friday afternoon for the killing\, timing it to coincide with the closing of the offices in the city centre. At first\, everything unfolds flawlessly: Julien commits the murder\, disposes of the evidence\, and makes his escape. But then\, in a moment of fatal carelessness\, he steps into the elevator\, forgetting that every Friday evening the caretaker cuts the power to the building for the weekend. Trapped inside\, Julien can only wait helplessly. Meanwhile\, a young couple notices Julien’s fancy car\, steals it\, and races toward the outskirts of the city. As Julien struggles to free himself from the elevator\, the increasingly distraught Florence wanders the nocturnal streets of Paris in search of him. \nWhile Elevator to the Gallows is often associated with the dawn of the French New Wave\, it remains both chronologically and stylistically “incompatible” with the movement’s defining aesthetic\, despite its undeniable qualities and its extensive use of location shooting. The film functions instead as a cinematic bridge between the period of reflection on American noir and the bold formal experiments of early New Wave crime films (e.g.\, Godard’s Breathless). Undeniably\, it also occupies a distinctive place in film history thanks to Miles Davis’s melancholic\, improvised soundtrack. \n“Alain Cavalier – a friend from school days – drew my attention to a book that he had bought at a railway station kiosk\, Ascenseur pour l’échafaud by Noël Calef. I found this idea of a crime imputed to a murderer in his absence seductive. The start had been difficult. The producer had not been enthusiastic about Noël Calef’s book. Nevertheless\, he recognized that we had found a good police intrigue. It was therefore going to be a B-movie with Jeanne Moreau on the bill\, who at that time acted in those types of film. In fact\, we invented the character played by Jeanne Moreau. The part did not exist in the book.” (Louis Malle)[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979740791{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979746721{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979754399{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/anze-mikulan/
LOCATION:Klub CD\, Prešernova cesta 10\, Ljubljana\, 1000\, Slovenia
CATEGORIES:29.6.
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260630T203000
DTEND;TZID=UTC:20270809T233000
DTSTAMP:20260524T013311
CREATED:20260506T082652Z
LAST-MODIFIED:20260513T091123Z
UID:5382-1782851400-1817854200@ljubljanajazz.si
SUMMARY:Pasquale Mirra – Jagged Rhythms
DESCRIPTION:[vc_row][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778491437927{padding-bottom: 2rem !important;}”] \nPasquale Mirra – Jagged Rhythms\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”5374″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778578159111{margin-top: 40px !important;padding-top: 10px !important;padding-bottom: 10px !important;background-color: #FFFFFF !important;}”]Tuesday\, 30 June at 20.30 – Štih Hall\nFriday\, 3 July\, 5:30 pm – Štih Hall\nFree entry till full capacity\n[/vc_column_text][vc_column_text css=”.vc_custom_1778069718122{margin-bottom: 30px !important;}”][/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778663478242{margin-bottom: 20px !important;}”]Pasquale Mirra\, acoustic vibraphone\, midi vibraphone\, log drum\, Tibetan bells\, timpani\, percussion; Petra Strban\, visuals\n(IT) \n“What an incredulous and happy coincidence! During my frequent visits to Sežana\, I recently bought two poetry collections by Srečko Kosovel in a local bookshop. This is precisely why I became interested in him and passionate about his work almost immediately\,” reads the reply to our invitation to Italian vibraphonist Pasquale Mirra to create a special project based on Kosovel’s poetry for the Ljubljana Jazz Festival in the year we celebrate 100 years from poet’s too early death. The creative forces were set in motion instantly. \nMirra\, a classically educated percussionist who discovered jazz through the sound of the vibraphone – and vice versa – elevates the compositions of his collaborators with virtuosity\, attentiveness and empathy. Among them are Rob Mazurek\, Hamid Drake\, Shabaka Hutchings\, Moor Mother\, Trilok Gurtu\, William Parker\, Fred Frith\, Nicole Mitchell\, Ballaké Sissoko\, Jeff Parker\, Tomeka Reid\, James Brandon Lewis and Mulatu Astatke. Mirra’s music is atmospheric\, airy\, heartfelt\, sharp-edged\, subtle\, elusive\, organic and mechanical – when he wants it to be\, at times otherworldly\, yet strangely familiar. He says the essence lies in the idea of sound\, not in the technique of playing\, in which he uses a wide array of percussion instruments and tools.\nThis approach parallels that of Kosovel’s\, who explored new forms of expression and stylistic techniques to find a deeper insight into humanity\, society and the signs of the times. His Kons’ are impromptu improvisations; his Integrals’ – as noted by his contemporary Anton Ocvirk – a brand-new world\, a world of dissonance\, antitheses\, absurdities\, explosions and jarring disharmonies. \nKosovel = vision ∞ Human > humanity \nMirra approaches sound intuitively\, sensing the hidden meanings in the vowels and consonants within the Slovenian poet’s verses. In sharp rhythms and fragmented chords\, he searches for new function\, new content. The instrumentation\, handpicked for this commissioned work\, echoes three conceptual currents in Kosovel’s poetry: the nature-oriented; the constructivist\, social-revolutionary focused; and the lyrical-intimate-confessional turn. The soundscape of Pasquale Mirra will unfold gradually in two performances at Štih Hall\, as Kosovel’s poetry slowly reveals itself over time. \nThe synesthetic effect it evokes will be further explored by Petra Strban – painter and graphic artist – who will create her own visual interpretation of Jagged Rhythms on screen in response to Mirra’s music. \n\nJagged Rhythms *\n\nI’m the broken arc\nof a circle\,\nthe cracked form\nof some statue\,\nand someone’s stifled\nthought.\nI’m a force\ncleft by distress.\nAs if I’m walking\non splinters\,\nI can’t bear your calm\npresence any longer. \n*Kosovel\, Srečko. OPEN: Selected Poems and Thoughts. Društvo Konstruktivist. 2018\nThe poem Jagged Rhythms translated by Ana Jelnikar and Barbara Siegel Carlson[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=brgN0MJIvrM” css=”.vc_custom_1776177171401{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=gsD0H9MCQ1U” css=”.vc_custom_1776177178102{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=Y6F_FlePmbc” css=”.vc_custom_1776177187517{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/pasquale-mirra-jagged-rhythms-2/
LOCATION:Štihova dvorana
CATEGORIES:30.6.
ATTACH;FMTTYPE=image/jpeg:https://ljubljanajazz.si/wp-content/uploads/2026/05/67_Jazz-Pasquale-Mirra_web-1500x1500-6.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260701T210000
DTEND;TZID=UTC:20270810T233000
DTSTAMP:20260524T013311
CREATED:20260401T110831Z
LAST-MODIFIED:20260520T105334Z
UID:4751-1782939600-1817940600@ljubljanajazz.si
SUMMARY:Pat Metheny: Side-Eye III+
DESCRIPTION:[vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774959281098{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778491778819{padding-bottom: 2rem !important;}”] \nPat Metheny: Side-Eye III+\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”4752″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778578412195{padding-top: 15px !important;}”]Wednesday\, 1 July at 21.00 – Križanke Summer Theatre\nTickets (standing / seating – unassigned\, limited availability): presale (until 30 June): 45\, 36* EUR \, on the day: 50\, 40* EUR\n*Visitors aged under 25\, over 65 and pensioners[/vc_column_text][vc_column_text css=”.vc_custom_1775044516307{margin-bottom: 30px !important;}”]BUY TICKET HERE[/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1779274411123{margin-bottom: 20px !important;}”]Pat Metheny\, guitar; Chris Fishman\, piano\, keyboards; Jermaine Paul\, bass; Joe Dyson\, drums\n(US) \nHis music transcends genres\, as evidenced by the Grammy Awards he has won in ten different categories – from new age\, pop and country to jazz\, naturally\, most of them in the last named category\, which makes him the only artist ever to have achieved this. He has a total of twenty grammies\, three golden records and an impressive songbook of jazz standards. \nIt goes without saying that working with a roster of artists as diverse as Ornette Coleman\, John Zorn\, Joni Mitchell\, and David Bowie calls for tremendous musical versatility and the corresponding technical virtuosity. He cites Miles Davis\, Wes Montgomery and The Beatles as having the biggest impact on his music. \nMetheny has been a key player in fusion jazz for the past four decades\, with a broad community of followers\, also satisfying their preferences for experimentation. We’ve closely followed his artistic development; with different line-ups he performed at the Jazz Festival Ljubljana three times\, most recently nine years ago. The Pat Metheny Group\, active since 1978 with various changes in personnel\, has decisively shaped the development of the jazz fusion genre and allowed him to evolve his distinctive lyricism under the ECM Records. \n...More ...\nHe composes contemporary classical and film music\, dreamy solo ballads\, and virtuoso pieces\, creating a canon of new standards\, while also keeping an eye out for young new talents with whom to share his vision. Thus\, in 2016\, which many in the US see as the advent of a new dark age\, Metheny started the Side-Eye project. The name is slang for “raising an eyebrow\,” being sceptical\, distrustful\, or disapproving\, which is how the world has been looking at the US since 2016.\nToday\, the core of the Side-Eye III+ project consists of Chris Fishman\, a drummer-turned-pianist from the Louis Cole (Knower) orbit and the rising drumming star Joe Dyson\, who brings New Orleans–style vehemence to the trio and has inspired Metheny to compose specifically with him in mind. At Ljubljana Jazz Festival the non-classical guitar–piano–drums trio will be joined by Californian musical up-and-comer on bass\, Jermaine Paul.\n[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=qef5Ui5qo6Q&list=PLnM2cuYLcpQ4E4Os-NhFFeFlosbuRc4Ks&index=2″ css=”.vc_custom_1775119546262{margin-bottom: 80px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=MmH_e5IS6DQ&t=5s” css=”.vc_custom_1775119563850{margin-bottom: 80px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=msypyORj4-g&t=19s” css=””][/vc_column][/vc_row][vc_row][vc_column icons_position=”left”][vc_column_text][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/pat-metheny/
LOCATION:Križanke\, Trg francoske revolucije 1\, Ljubljana\, 1000\, Slovenia
CATEGORIES:Day 1
ATTACH;FMTTYPE=image/jpeg:https://ljubljanajazz.si/wp-content/uploads/2026/04/67-JAZZ_Web-_Pat-Metheny_Lineup_500x500.jpg
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