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X-WR-CALNAME:67. Jazz festival Ljubljana
X-ORIGINAL-URL:https://ljubljanajazz.si/en/
X-WR-CALDESC:Events for 67. Jazz festival Ljubljana
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260703T233000
DTEND;TZID=UTC:20260812T233000
DTSTAMP:20260524T155012
CREATED:20260507T071142Z
LAST-MODIFIED:20260512T095245Z
UID:5488-1783121400-1786577400@ljubljanajazz.si
SUMMARY:Dj K'Pow
DESCRIPTION:[vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774959281098{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778492759085{padding-bottom: 2rem !important;}”] \nDj K’Pow\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”5490″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778579563177{padding-top: 15px !important;}”]Friday\, 3 July at 22:30 – CD Club\nFree entry till full capacity\n[/vc_column_text][vc_column_text css=”.vc_custom_1776237395971{margin-bottom: 30px !important;}”][/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778492766876{margin-bottom: 20px !important;}”](SI) \nA veteran of the local DJ scene\, K’Pow is most commonly associated with hip-hop\, though his sets regularly venture far beyond the genre – spanning funk\, soul\, Afrobeat and contemporary electronic offshoots. A former member of the renowned Ljubljana collective RDYO DJs\, he is now part of the GOR association for the promotion of hip-hop culture and the driving force behind Big Nose in Ljubljana: not just a record shop\, but a much-loved music haunt and cultural venue.\nAfter closing the 2024 festival’s Friday night programme in spectacular fashion\, K’Pow returns to the decks with another perfectly curated – and highly danceable – set. Expect strong jazz influences and samples\, jazz and funk originals later reimagined in rap tracks\, as well as nu jazz and broken beat selections.[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1778138165921{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1778138170501{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1778138175448{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/dj-kpow-si/
LOCATION:Klub CD\, Prešernova cesta 10\, Ljubljana\, 1000\, Slovenia
CATEGORIES:Day 3
ATTACH;FMTTYPE=image/jpeg:https://ljubljanajazz.si/wp-content/uploads/2026/05/67_Jazz-K-POW_web-1500x1500-20.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260703T223000
DTEND;TZID=UTC:20260812T233000
DTSTAMP:20260524T155012
CREATED:20260414T085536Z
LAST-MODIFIED:20260512T095138Z
UID:4944-1783117800-1786577400@ljubljanajazz.si
SUMMARY:Błoto
DESCRIPTION:[vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774959281098{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778492658134{padding-bottom: 2rem !important;}”] \nBłoto\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”4967″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778579496013{padding-top: 15px !important;}”]Friday\, 3 July at 22:30 – CD Club\nFree entry till full capacity[/vc_column_text][vc_column_text css=”.vc_custom_1776237395971{margin-bottom: 30px !important;}”][/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778492670162{margin-bottom: 20px !important;}”]Latarnik\, piano\, synthesizers; Wuja HZG\, bass guitar; OlafSaxx\, saxophones\, synthesizers; Cancer G\, drums\n(PL) \nBłoto is a Polish instrumental group that formed spontaneously in 2018 during an impromptu session while on tour with the larger jazz band EABS\, with some of its members jamming to fill the free time between concerts. Błoto stands for reduction\, or a shift towards a more brutal and rudimentary\, groove-focused expression rooted in hip-hop – with loose references to the gritty\, sampladelic sound of the 1990s. \nTheir music is grounded in massive\, looping structures\, where heavy basslines\, precise drumbeats\, and repetitive motifs take centre stage\, evolving through subtle improvisation. While jazz remains ever-present as a substructure\, Błoto deliberately avoid complexity for complexity’s sake\, instead prioritising feeling\, texture\, and hypnotic rhythm. The result is both minimal and intense – a sound that is at once direct\, raw\, and relentless. \nReleased in 2020\, the quartet’s debut album\, Erozje\, is a minimalist yet massive soundscape of decay and transfiguration. Beyond their classic album projects\, the band is also known for numerous tributes dedicated to one of hip-hop’s most influential producers\, J Dilla\, culminating in the 2026 release of We Remember J Dilla. \n...More ...\nIn their performances and recordings\, Błoto seek to capture the tension arising from broader social realities\, including fragmentation and stratification\, rising nationalism\, political crises\, and systemic violence. Their distinctive approach speaks to a wide-ranging audience – spanning hip-hop and electronic music through to avant-garde jazz.\n[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=k2NQ6-uck-Y” css=”.vc_custom_1776156865201{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=4d5pq_Y-XTk” css=”.vc_custom_1776157065472{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=B1LFxsaq_0g” css=”.vc_custom_1776156923778{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/bloto-pl/
LOCATION:Klub CD\, Prešernova cesta 10\, Ljubljana\, 1000\, Slovenia
CATEGORIES:Day 3
ATTACH;FMTTYPE=image/jpeg:https://ljubljanajazz.si/wp-content/uploads/2026/04/Bloto.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260702T190000
DTEND;TZID=UTC:20260811T233000
DTSTAMP:20260524T155012
CREATED:20260401T113209Z
LAST-MODIFIED:20260514T071157Z
UID:4764-1783018800-1786491000@ljubljanajazz.si
SUMMARY:Dee Dee Bridgewater: We exist!
DESCRIPTION:[vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774959281098{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778491838057{padding-bottom: 2rem !important;}”] \nWe Exist! The Dee Dee Bridgewater Quartet\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”4765″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778578497312{padding-top: 15px !important;}”]Thursday\, 2 July at 19.00 – Gallus Hall\nTickets (no assigned seating): presale (until 30 June): 38\, 34* EUR \, regular price: 42\, 37* EUR\n* Discounted admission prices for people younger than 25\, older than 65 and pensioners[/vc_column_text][vc_column_text css=”.vc_custom_1775045869668{margin-bottom: 30px !important;}”][/vc_column_text]BUY TICKET HERE[/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778742714792{margin-bottom: 20px !important;}”]Dee Dee Bridgewater\, vocals; Alexis Lombre\, piano; Shirazette Tinnin\, drums; Rosa Brunello\, drums\n(US) \nFrom an early age\, she has felt an urge to express her inner voice through performance. The moment she first stepped onto the stage\, she did so with total confidence\, forging her own style – uncompromising and unrestrained. Over six decades\, she has moved effortlessly across genres\, performing at the Sanremo Festival\, recording over 20 albums\, and acting in theatre and film – all by following her heart\, in her own words. She has received three Grammy Awards and a Tony Award for her role as the Good Witch in the Broadway musical The Wiz. \nThroughout her career\, she has been driven by personal integrity\, professional autonomy\, and boundless creativity\, and has also given a voice to the voiceless as a UN Goodwill Ambassador. Twenty years ago\, she founded her own record label\, DDB Records\, and became a producer. She holds honorary doctorates from prestigious music universities and was inducted into the Memphis Music Hall of Fame. Her musical credentials read like a who’s who of jazz royalty: Sonny Rollins\, Dizzy Gillespie\, Horace Silver\, Dexter Gordon\, Max Roach\, Ray Charles\, B. B. King… \n...More ...\nJust as she once received advice from her role models Ella Fitzgerald\, Sarah Vaughan\, and Betty Carter\, who taught her to be fearless and command the stage\, she now passes on her experience and knowledge to younger generations. Through her Woodshed Network programme\, Dee Dee has recently mentored young female jazz musicians\, sharing her wisdom on surviving in the male-dominated music industry and standing up to discrimination and misogyny. Her protégées include Jazzmeia Horn and Lakecia Benjamin.\nIn this spirit\, and as a direct response to the Gaza war\, she formed the quartet We Exist!\, bringing together young female musicians – pianist Carmen Staaf\, bassist Rosa Brunello\, as well as drummers Shirazette Tinnin and Evita Polidoro. The band’s repertoire\, opposing patriarchy and social injustice\, is like a journey through the history of songs of rebellion and long-unheeded warnings from the past. Dee Dee Bridgewater\, now a musical icon herself\, pays tribute to the timeless luminaries Roberta Flack\, Nina Simone\, Billie Holiday\, and Abbey Lincoln\, reaching for the most haunting songs in the jazz canon\, such as Tryin’ Times\, Danger Zone\, Strange Fruit\, Mississippi Goddam\, I Wish I Knew How It Would Feel To Be Free – all the while inviting the audience to listen to the lyrics. Truly listen.\n[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=qWHNexCCTfI&t=2437s” css=”.vc_custom_1775043073905{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=8ILQSMDI5Ak&t=50s” css=”.vc_custom_1775043100784{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/live/IcA6NvcraME?t=1259s” css=”.vc_custom_1775043125971{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/dee-dee-bridgewater/
LOCATION:Gallus Hall
CATEGORIES:Day 2
ATTACH;FMTTYPE=image/jpeg:https://ljubljanajazz.si/wp-content/uploads/2026/04/67-JAZZ_Web-DeeDee_lineup_500x500.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260630T203000
DTEND;TZID=UTC:20270809T233000
DTSTAMP:20260524T155012
CREATED:20260506T082652Z
LAST-MODIFIED:20260513T091123Z
UID:5382-1782851400-1817854200@ljubljanajazz.si
SUMMARY:Pasquale Mirra – Jagged Rhythms
DESCRIPTION:[vc_row][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778491437927{padding-bottom: 2rem !important;}”] \nPasquale Mirra – Jagged Rhythms\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”5374″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778578159111{margin-top: 40px !important;padding-top: 10px !important;padding-bottom: 10px !important;background-color: #FFFFFF !important;}”]Tuesday\, 30 June at 20.30 – Štih Hall\nFriday\, 3 July\, 5:30 pm – Štih Hall\nFree entry till full capacity\n[/vc_column_text][vc_column_text css=”.vc_custom_1778069718122{margin-bottom: 30px !important;}”][/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778663478242{margin-bottom: 20px !important;}”]Pasquale Mirra\, acoustic vibraphone\, midi vibraphone\, log drum\, Tibetan bells\, timpani\, percussion; Petra Strban\, visuals\n(IT) \n“What an incredulous and happy coincidence! During my frequent visits to Sežana\, I recently bought two poetry collections by Srečko Kosovel in a local bookshop. This is precisely why I became interested in him and passionate about his work almost immediately\,” reads the reply to our invitation to Italian vibraphonist Pasquale Mirra to create a special project based on Kosovel’s poetry for the Ljubljana Jazz Festival in the year we celebrate 100 years from poet’s too early death. The creative forces were set in motion instantly. \nMirra\, a classically educated percussionist who discovered jazz through the sound of the vibraphone – and vice versa – elevates the compositions of his collaborators with virtuosity\, attentiveness and empathy. Among them are Rob Mazurek\, Hamid Drake\, Shabaka Hutchings\, Moor Mother\, Trilok Gurtu\, William Parker\, Fred Frith\, Nicole Mitchell\, Ballaké Sissoko\, Jeff Parker\, Tomeka Reid\, James Brandon Lewis and Mulatu Astatke. Mirra’s music is atmospheric\, airy\, heartfelt\, sharp-edged\, subtle\, elusive\, organic and mechanical – when he wants it to be\, at times otherworldly\, yet strangely familiar. He says the essence lies in the idea of sound\, not in the technique of playing\, in which he uses a wide array of percussion instruments and tools.\nThis approach parallels that of Kosovel’s\, who explored new forms of expression and stylistic techniques to find a deeper insight into humanity\, society and the signs of the times. His Kons’ are impromptu improvisations; his Integrals’ – as noted by his contemporary Anton Ocvirk – a brand-new world\, a world of dissonance\, antitheses\, absurdities\, explosions and jarring disharmonies. \nKosovel = vision ∞ Human > humanity \nMirra approaches sound intuitively\, sensing the hidden meanings in the vowels and consonants within the Slovenian poet’s verses. In sharp rhythms and fragmented chords\, he searches for new function\, new content. The instrumentation\, handpicked for this commissioned work\, echoes three conceptual currents in Kosovel’s poetry: the nature-oriented; the constructivist\, social-revolutionary focused; and the lyrical-intimate-confessional turn. The soundscape of Pasquale Mirra will unfold gradually in two performances at Štih Hall\, as Kosovel’s poetry slowly reveals itself over time. \nThe synesthetic effect it evokes will be further explored by Petra Strban – painter and graphic artist – who will create her own visual interpretation of Jagged Rhythms on screen in response to Mirra’s music. \n\nJagged Rhythms *\n\nI’m the broken arc\nof a circle\,\nthe cracked form\nof some statue\,\nand someone’s stifled\nthought.\nI’m a force\ncleft by distress.\nAs if I’m walking\non splinters\,\nI can’t bear your calm\npresence any longer. \n*Kosovel\, Srečko. OPEN: Selected Poems and Thoughts. Društvo Konstruktivist. 2018\nThe poem Jagged Rhythms translated by Ana Jelnikar and Barbara Siegel Carlson[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=brgN0MJIvrM” css=”.vc_custom_1776177171401{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=gsD0H9MCQ1U” css=”.vc_custom_1776177178102{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”https://www.youtube.com/watch?v=Y6F_FlePmbc” css=”.vc_custom_1776177187517{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/pasquale-mirra-jagged-rhythms-2/
LOCATION:Štihova dvorana
CATEGORIES:30.6.
ATTACH;FMTTYPE=image/jpeg:https://ljubljanajazz.si/wp-content/uploads/2026/05/67_Jazz-Pasquale-Mirra_web-1500x1500-6.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260629T200000
DTEND;TZID=UTC:20270808T233000
DTSTAMP:20260524T155012
CREATED:20260512T080049Z
LAST-MODIFIED:20260512T083608Z
UID:5740-1782763200-1817767800@ljubljanajazz.si
SUMMARY:Miles Davis 100! Elevator to the Gallows
DESCRIPTION:[vc_row][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778574057737{padding-bottom: 2rem !important;}”] \nMiles Davis 100! Elevator to the Gallows\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ icons_position=”left”][vc_single_image image=”5738″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778574238714{margin-top: 40px !important;padding-top: 10px !important;padding-bottom: 10px !important;background-color: #FFFFFF !important;}”]Monday\, 29 June at 20.00 – Kosovel Hall\nEUR 6\, 5*\n* EUR for younger than 25 and older than 65\, as well as pensioners.\n[/vc_column_text][vc_column_text css=”.vc_custom_1778574262730{margin-bottom: 30px !important;}”]BUY TICKET HERE[/vc_column_text][/vc_column][vc_column width=”1/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778574449308{margin-bottom: 20px !important;}”]France\, 1958\, 88′\nDirected by: Louis Malle\nWritten by: Roger Nimier\, Louis Malle\, based on the novel by Noël Calef\nCinematography: Henri Decaë \nMusic: Miles Davis \nCast: Jeanne Moreau\, Maurice Ronet\, Lino Ventura\, Yori Bertin\, Florence Carala \nProduction: Nouvelles Éditions de Films \nJulien and Florence devise an elaborate plan to murder her husband\, who also happens to be Julien’s boss. They choose Friday afternoon for the killing\, timing it to coincide with the closing of the offices in the city centre. At first\, everything unfolds flawlessly: Julien commits the murder\, disposes of the evidence\, and makes his escape. But then\, in a moment of fatal carelessness\, he steps into the elevator\, forgetting that every Friday evening the caretaker cuts the power to the building for the weekend. Trapped inside\, Julien can only wait helplessly. Meanwhile\, a young couple notices Julien’s fancy car\, steals it\, and races toward the outskirts of the city. As Julien struggles to free himself from the elevator\, the increasingly distraught Florence wanders the nocturnal streets of Paris in search of him. \nWhile Elevator to the Gallows is often associated with the dawn of the French New Wave\, it remains both chronologically and stylistically “incompatible” with the movement’s defining aesthetic\, despite its undeniable qualities and its extensive use of location shooting. The film functions instead as a cinematic bridge between the period of reflection on American noir and the bold formal experiments of early New Wave crime films (e.g.\, Godard’s Breathless). Undeniably\, it also occupies a distinctive place in film history thanks to Miles Davis’s melancholic\, improvised soundtrack. \n“Alain Cavalier – a friend from school days – drew my attention to a book that he had bought at a railway station kiosk\, Ascenseur pour l’échafaud by Noël Calef. I found this idea of a crime imputed to a murderer in his absence seductive. The start had been difficult. The producer had not been enthusiastic about Noël Calef’s book. Nevertheless\, he recognized that we had found a good police intrigue. It was therefore going to be a B-movie with Jeanne Moreau on the bill\, who at that time acted in those types of film. In fact\, we invented the character played by Jeanne Moreau. The part did not exist in the book.” (Louis Malle)[/vc_column_text][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979740791{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979746721{margin-bottom: 20px !important;}”][/vc_column][vc_column width=”1/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979754399{margin-bottom: 20px !important;}”][/vc_column][/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row]
URL:https://ljubljanajazz.si/en/koncert/anze-mikulan/
LOCATION:Klub CD\, Prešernova cesta 10\, Ljubljana\, 1000\, Slovenia
CATEGORIES:29.6.
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