{"id":4417,"date":"2026-02-05T17:51:07","date_gmt":"2026-02-05T16:51:07","guid":{"rendered":"https:\/\/ljubljanajazz.si\/?p=4417"},"modified":"2026-03-20T11:22:35","modified_gmt":"2026-03-20T10:22:35","slug":"at-metheny-to-kick-off","status":"publish","type":"post","link":"https:\/\/ljubljanajazz.si\/en\/at-metheny-to-kick-off\/","title":{"rendered":"Pat Metheny to Kick Off the 67th Edition"},"content":{"rendered":"

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Pat Metheny: Side-Eye III+\u00a0<\/strong><\/p>\n

Lineup: Pat Metheny \u2013 guitar; Chris Fishman \u2013 piano, keyboards; Jermaine Paul \u2013 bass; Joe Dyson \u2013 drums<\/p>\n

His music transcends genres, as evidenced by the Grammy Awards he has won in ten different categories \u2013 from new age, pop and country to jazz, naturally, most of them in the last named category, which makes him the only artist ever to have achieved this. He has a total of twenty gold records and three gold albums, as well as an impressive songbook of jazz standards.
\nIt goes without saying that working with a roster of artists as diverse as Ornette Coleman, John Zorn, Joni Mitchell, and David Bowie calls for tremendous musical versatility and the corresponding technical virtuosity. He cites Miles Davis, Wes Montgomery and The Beatles as having the biggest impact on his music.<\/p>\n

Metheny has been a key player in fusion jazz for the past four decades, with a broad community of followers, also satisfying their preferences for experimentation. We have consistently followed his artistic development, hosting Metheny with different line-ups at the Jazz Festival Ljubljana three times, most recently nine years ago. The Pat Metheny Group, active since 1978 with various changes in personnel, has decisively shaped the development of the jazz fusion genre and allowed him to evolve his distinctive lyricism under the auspices of ECM Records.<\/p>\n

He composes contemporary classical and film music, dreamy solo ballads, and virtuoso pieces, creating a canon of new standards, while also keeping an eye out for young new talents with whom to share his vision. Thus, in 2016, which many in the US see as the advent of a new dark age, Metheny started the Side-Eye project. The name is slang for “raising an eyebrow,” being sceptical, distrustful, or disapproving, which is how the world has been looking at the US since 2016. Among the first to be invited to his home studio were two brilliant musicians, pianist James Francis and drummer Marcus Gilmore; their Side-Eye NYC (V1.IV) album instantly earned a Grammy nomination.<\/p>\n

The latest core lineup of the Side-Eye III+ project consists of Chris Fishman, a drummer-turned-pianist from the Louis Cole (Knower) orbit and the rising drumming star Joe Dyson, who brings New Orleans\u2013style vehemence to the trio and has inspired Metheny to write several new compositions specifically for this trio. At Ljubljana Jazz Festival the non-classical guitar\u2013piano\u2013drums trio will be joined by Californian musical up-and-comer on bass, Jermaine Paul. A<\/span>t the end of February, their latest album was released on Pat Metheny\u2019s newly founded label, Uniquity Music Their, which from now on will house of Metheny\u2019s entire catalogue from 1984 and onward.<\/span><\/p>\n