{"id":5740,"date":"2026-05-12T09:00:49","date_gmt":"2026-05-12T08:00:49","guid":{"rendered":"https:\/\/ljubljanajazz.si\/?post_type=tribe_events&p=5740"},"modified":"2026-05-12T09:36:08","modified_gmt":"2026-05-12T08:36:08","slug":"anze-mikulan","status":"publish","type":"tribe_events","link":"https:\/\/ljubljanajazz.si\/en\/koncert\/anze-mikulan\/","title":{"rendered":"Miles Davis 100! Elevator to the Gallows"},"content":{"rendered":"

[vc_row][vc_column icons_position=”left”][vc_column_text css=”.vc_custom_1778574057737{padding-bottom: 2rem !important;}”]<\/p>\n

Miles Davis 100! Elevator to the Gallows<\/strong><\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″ icons_position=”left”][vc_single_image image=”5738″ img_size=”full” alignment=”center” css=””][vc_column_text css=”.vc_custom_1778574238714{margin-top: 40px !important;padding-top: 10px !important;padding-bottom: 10px !important;background-color: #FFFFFF !important;}”]Monday, 29 June at 20.00 \u2013 Kosovel Hall<\/strong>
\nEUR 6, 5*
\n<\/b>* EUR for younger than 25 and older than 65, as well as pensioners.<\/em>
\n<\/b><\/span>[\/vc_column_text][vc_column_text css=”.vc_custom_1778574262730{margin-bottom: 30px !important;}”]BUY TICKET HERE<\/span><\/span><\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ icons_position=”left”][vc_column_text css=”.vc_custom_1778574449308{margin-bottom: 20px !important;}”]France, 1958, 88′
\nDirected by: Louis Malle<\/strong>
\nWritten by: Roger Nimier, Louis Malle, based on the novel by No\u00ebl Calef<\/strong>
\nCinematography: Henri Deca\u00eb\u00a0<\/strong>
\nMusic: Miles Davis\u00a0<\/strong>
\nCast: Jeanne Moreau, Maurice Ronet, Lino Ventura, Yori Bertin, Florence Carala\u00a0<\/strong>
\nProduction: Nouvelles \u00c9ditions de Films<\/strong><\/p>\n

Julien and Florence devise an elaborate plan to murder her husband, who also happens to be Julien\u2019s boss. They choose Friday afternoon for the killing, timing it to coincide with the closing of the offices in the city centre. At first, everything unfolds flawlessly: Julien commits the murder, disposes of the evidence, and makes his escape. But then, in a moment of fatal carelessness, he steps into the elevator, forgetting that every Friday evening the caretaker cuts the power to the building for the weekend. Trapped inside, Julien can only wait helplessly. Meanwhile, a young couple notices Julien\u2019s fancy car, steals it, and races toward the outskirts of the city. As Julien struggles to free himself from the elevator, the increasingly distraught Florence wanders the nocturnal streets of Paris in search of him.<\/p>\n

While Elevator to the Gallows is often associated with the dawn of the French New Wave, it remains both chronologically and stylistically \u201cincompatible\u201d with the movement\u2019s defining aesthetic, despite its undeniable qualities and its extensive use of location shooting. The film functions instead as a cinematic bridge between the period of reflection on American noir and the bold formal experiments of early New Wave crime films (e.g., Godard\u2019s Breathless). Undeniably, it also occupies a distinctive place in film history thanks to Miles Davis\u2019s melancholic, improvised soundtrack.<\/p>\n

\u201cAlain Cavalier \u2013 a friend from school days \u2013 drew my attention to a book that he had bought at a railway station kiosk, Ascenseur pour l’\u00e9chafaud by No\u00ebl Calef. I found this idea of a crime imputed to a murderer in his absence seductive. The start had been difficult. The producer had not been enthusiastic about No\u00ebl Calef’s book. Nevertheless, he recognized that we had found a good police intrigue. It was therefore going to be a B-movie with Jeanne Moreau on the bill, who at that time acted in those types of film. In fact, we invented the character played by Jeanne Moreau. The part did not exist in the book.\u201d<\/em> (Louis Malle)[\/vc_column_text][\/vc_column][\/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column width=”1\/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979740791{margin-bottom: 20px !important;}”][\/vc_column][vc_column width=”1\/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979746721{margin-bottom: 20px !important;}”][\/vc_column][vc_column width=”1\/3″ icons_position=”left”][vc_video link=”” css=”.vc_custom_1777979754399{margin-bottom: 20px !important;}”][\/vc_column][\/vc_row][vc_row hide_bg_image_on_tablet=”” hide_bg_image_on_mobile=”” css=”.vc_custom_1774520466972{margin-top: 35px !important;}”][vc_column icons_position=”left”][vc_column_text css=””][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Kosovel Hall<\/p>\n","protected":false},"author":3,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[109],"class_list":["post-5740","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-29-6-2","cat_29-6-2"],"yoast_head":"\r\nMiles Davis 100! Elevator to the Gallows - 67. Jazz festival Ljubljana<\/title>\r\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<link rel=\"canonical\" href=\"https:\/\/ljubljanajazz.si\/en\/koncert\/anze-mikulan\/\" \/>\r\n<meta property=\"og:locale\" content=\"en_US\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"Miles Davis 100! 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